For creating a specific style or look in order to support your mood for example, one may need to make scenes appear cold, dark, cheery, warm, bright or foreboding.Customize different video clips by matching them so that they appear in sequence even if they are captured at different moments.Some people need to correct their mistakes on captured videos it can be due to an incorrect balance of white and due to under or over-exposure at some points.The major reasons behind this additional color correction are: Learn different tools in Final Cut Pro with this tutorial series.Most of the advanced camera units these days are capable enough to produce shots with rich quality automatically but still some professionals need to edit captured videos for little color correction. This post is part of the series: Final Cut Pro Once you get started working on the colors in your video clips you will begin to get an instinct for it, and eventually you will be able to notice imperfections in videos you see made by someone else. Color Corrector 3-way is one of the best, and easiest, of all the many options in Final Cut Pro. The ability to correct the colors of a recorded picture because of faulty camera work, or simply because we want to add an imaginative feel, is a great resource. Now that we are able to jump on a computer and alter our digital video we have options that home video producers used to only dream about. Darkening the image is much easier, but you have to make sure that you do not try and lighten the picture too much in the color corrector. Also be careful about lighting the image too much because it can make it look a little foggy. It is hard to tell exactly how the colors will look when just viewing them in the Viewer on your computer monitor, so using a well calibrated television as a monitor will give you a better idea of how the image will actually end up looking. It is best if your editing system has a large monitor attached to it so you can see what the image looks like on a television. It is all up to how the image looks to you and how you would prefer it to look. If the subjects clothes are a dark color but look too understated you might try and bring the brightness up on the blacks, and if there are bright white glares on their face then you could try bringing the brightness down on the whites. If someone looks too pale or bluish in the face you might drag the white dot in the middle of the color wheel labeled “whites” more toward the yellow and red side of the color spectrum.Įssentially you drag the white dot around on each color wheel until you find the image a satisfactory color. Now it is up to your judgment how you would like to alter the image, but trial and error is the best way. Below each of these wheels is a bar that alters how bright each of these segments of the image are, and then one bar at the bottom of the window to alter how bright the entire image is. Ĭlick on the Color Corrector 3-way tab and you will be given a window with three color wheels, one each for blacks, mids, and whites.The Filters tab is where you would normally change the effect settings for the clip, but the 3-way has its own way of altering the settings. ĭrag this option over onto the clip in the Viewer and two new tabs will appear at the top of the image, one labeled Filters and one labeled Color Corrector 3-way.These all have their place in certain types of color correction, but for the best all-around color correction you would use Color Corrector 3-way. Once that is open you are going to be shown a variety of color correction options, including RGB Balance and Desaturate Lows.
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